Friday, August 3, 2007

Virtue and the Cityscape.

While the reign of George VII will undoubtedly be definitive, glorious and highly enjoyable, the heir to the throne can certainly be wrong about things - in particular, the London skyline. "You have to give this much to the Luftwaffe," quipped Charles in 1987, "when it knocked down our buildings, it didn't replace them with anything more offensive than rubble. We did that." He has since voiced his unhappiness with the corruption of Christopher Wren's cityscape by certain fantastic towering edifices such as the Gherkin and Renzo Piano's Shard of Glass (as yet unstarted, due for completion in 2011). Without going into too much detail, and without giving too much consideration to the Prince's reasonable points about the role of architecture and the public space, I will say that I disagree and think that these buildings are fucking aces.

The issue was brought to mind yesterday when I was flicking through a book about the artist John Virtue, and his London Paintings. Until now, Virtue has been unknown to me (hoho), and I was struck by the grimy brilliance of the images, which were created while he was artist in residence of the National Gallery two years ago. I was also struck, not for the first time, by the greatness of the subject as I saw the Gherkin lurch in fine synchrony with the shadow of St. Paul's, and the Thames shine beneath the the heavy beauty of London City. Despite the modern intrusions, there is an unsurprising timelessness to the images, recalling a tradition of London landscapes including those of Turner, Monet and Canaletto, and the ingrained mythic idea of the smoky, grim and monumental city. Interestingly, Virtue apparently edited out the Millennium Wheel from his view, ignoring its flimsy lightness in favour of the stone and steel around it. Perhaps with London, and with any city, you see what you choose, and take beauty where you find it. Unfortunately, the exhibition has been over for two years so I'm not sure where I will get to see his paintings in the flesh - apparently, they're massive. Any guidance or enlightenment on this matter will be much appreciated.


No comments: